Mimi Zeiger is a writer, critic, curator and editor. She's written for a variety of publications including The New York Times, Dwell, Domus, and The Architectural Review and is the founder of Loud Paper, a zine and digital publication that sought to increase the output of architectural discourse. She was also the co-curator for the US Pavilion at the 2018 Venice Architecture Biennalle, which had the theme 'Dimensions of Citizenship'. In this episode, Mimi and I talk about how she started writing after beginning a career as an architect, the role of the critic, and why we need architecture and design critics in today's political climate.
Scratching the Surface is made possible entirely by listener support.
Support the show on Patreon!
Brendan Cormier is a curator, editor, and designer. He’s currently a design curator at the Victoria & Albert Museum and was previously managing editor of Volume magazine and an urban designer and planner. In this episode, Jarrett and Brendan talk about how urbanism influences his work as a curator, using objects to tell stories, and the intersection of editorial and curatorial practice.
Milton S. F. Curry is dean and professor at the University of Southern California School of Architecture and holds the Della & Harry MacDonald Dean’s Chair in Architecture. He previously taught at University of Michigan Taubman College of Architecture and Urban Planning, Arizona State University, Harvard, and Cornell. He also edited the journals Critical Productive and Appendx. In this episode. Jarrett and Milton talk about the citizen architect, the relationship between critical theory and design, and the limits of design thinking.
Jeanne Gang is an architect, teacher, and the founding principal and partner of Studio Gang. The studio’s research-driven practice encourages intellectual curiosity and formal exploration across projects ranging from books and publications up to skyscrapers and urban planning. In this wide-ranging conversation, Jarrett and Jeanne talk about the role of research in the design process, building a studio culture that encourages curiosity, and how the idea of ‘actionable idealism’ drives all her work.