Paul Bailey is a designer, educator and researcher. He's currently the Course Leader for the MA Graphic Media Design program at the London College of Communication, an advisor at the Jan van Eyck Academie, and is a founding member of the Design Displacement Group. Paul's expanded practice mixes client work with self-initiated projects and take various forms such as exhibitions, publications, performances, workshops and writings. In this episode, Jarrett and Paul talk about this expanded practice and his early education, how he started teaching and how being in the classroom influences his own work, and the value of research and writing in the design process.
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Charles Saumarez Smith is the author of The Art Museum in Modern Times, an architectural history of art museums. He previously was the Secretary and Chief Executive of the Royal Academy of Arts in London and before this served as director of both the National Portrait Gallery and the National Gallery. In this conversation, Jarrett and Charles talk about the relationship between architecture and museums, the role of the museum director, and administration as a form of research.
In this special episode celebrating both Scratching the Surface’s fifth anniversary and our 200th episode, Jarrett turns the tables on himself to answer questions submitted by listeners like who would he like to bring back from the dead to interview? How’s the show changed in five years? What’s the role of design school? What did he want to be in middle school? What non-design books influenced his thinking?
Esther Choi is a multidisciplinary artist and architectural historian. In 2019, she published Le Corbuffet, a Fluxus-inspired artist's book that adopts the form of a cookbook and in 2020, she started Office Hours, a socially-engaged initiative that cultivates the sharing of knowledge among practitioners who identify as Black, Indigenous, and People of Color. In this episode, Esther and Jarrett talk about working between photography and architectural theory, genres of writing, and building a body of work that’s hard to define.