Anab Jain is a designer, futurist, filmmaker and educator. As Co-founder and Director of Superflux, she hopes to realise the vision of the Studio as a new kind of design practice, responsive to the challenges and opportunities of the twenty-first century. She also teaches at the University Applied Arts in Vienna and gave a TED Talk last year on design's role in imagining new futures. In this episode, Anab and I talk about Superflux's blend of client and speculative work, her background in filmmaking, and pushing up against disciplinary boundaries.
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Robert Wiesenberger is a curator and historian of modern and contemporary art, design, and architecture. He is currently the Associate Curator of Special Projects at The Clark Art Institute and on the faculty at Williams Graduate Program in Art History. He previously was a curatorial fellow at the Harvard Art Museum where he worked with the Bauhaus collection and co-authored, with David Reinfurt, the 2017 monograph on Muriel Cooper. In this episode, Jarrett and Robert talk about the role of the object in art history, blurring the lines between design and art practices, and teaching design history.
Jarrett Earnest is an artist and writer. His book, What It Means To Write About Art: Interviews with Art Critics, was released in 2018 and features longform interviews with art writers, historians, theorists, and critics. Jarrett’s writing has appeared in The Brooklyn Rail, The Village Voice, Vulture, and The Los Angeles Review of Books. In this episode, the Jarretts talk about the strange similarities in their work, the differences between writing about art and design, and the value in having deep conversations about art.
Spencer Bailey is a writer, editor, and journalist. He is the co-founder of the media company The Slowdown and the author of the book In Memory of: Designing Contemporary Memorials. He’s also editor-at-large for Phaidon, contributing editor at Town and Country and was previously the editor-in-chief at Surface. In this episode, Jarrett and Spencer talk about the design of memorials, how he started writing about design and architecture, and how design fits into The Slowdown’s mission.