Cameron Tonkinwise is a design theorist, educator, and writer based in Australia. He’s written on subjects ranging from sustainability to interaction design, design thinking to systems design and has taught in design institutions around the world. In this conversation, Cameron and I talk about his early interest in philosophy and politics and how design became a way he could bridge the gap between those, the challenges with design’s newfound cultural currency, and how designers need to reconsider how their work lives in the world in this current cultural and political moment.
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Paul Andersen and Paul Preissner are the curators of the American Pavilion for the 2020 Venice Architecture Biennale. Their project, American Framing, draws attention to both the most influential and overlooked contributions to architecture: wood framing. They previously have collaborated on a variety of architecture and curatorial projects together. Additionally, Andersen is the principal of Denver-based Independent Architecture and teaches at the University of Illinois Chicago and Preissner runs Paul Preissner Architects and teaches at both University of Illinois Chicago and Columbia GSAAP.
Danielle Aubert is a graphic designer, educator, writer, and political organizer. She’s the author of, most recently, The Detroit Printing Co-Op: The Politics of the Joys of Printing and an Associate Professor in Graphic Design at Wayne State University. In this episode, Jarrett and Danielle talk about the Detroit Printing Co-op and expanding design history, the politics of graphic design, and when to teach the basics in a design class.
Maryam Fanni and Sara Kaaman, are two thirds of the design collective MMS, along with Matilda Flodmark, collaborating since 2012 on investigations and writings on visual culture, graphic design, and historiography from feminist perspectives. MMS recently published Natural Enemies of Books: A Messy History of Women in Printing and Typography. In this episode, Jarrett is joined by Maryam and Sara to talk about the book, the ideas behind MMS, and seeking a more expansive view of design history and practice.