Sara De Bondt is a designer, educator, and publisher. She runs her own independent design practice working with cultural clients and is the co-founder of Occasional Papers, a small publishing company focusing on publishing affordable books devoted to the histories of architecture, art, design, film, and literature. The Walker Art Center called Sara “the epitome of a cultural designer, combining a love of contemporary typography with a deep investigation into the history of graphic design. Through her design practice, which consists of client-based work, designing and editing books, and curating conferences, she is consistently contributing to the critical discourse.” In this episode, Sara and I talk about her background from studying acting to working with Stuart Bailey, Daniel Eatock, and James Goggin; the importance of design history in contemporary practice; and what designers can learn from other disciplines.
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Otto von Busch is a designer and professor of Integrated Design at Parsons School of Design. He has a background in arts, craft, design, and theory and his work focuses on how making practices can mobilize community and social activism. His new book, The Design Comedy, repackages Dante’s to explore the broken promises of design, the problems in academia, and the role of design theory. In this conversation, Jarrett and Otto talk about the book and its analysis of the state of design, the value of making in design education, and the relationship between design practice and design theory.
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Sam Valenti IV is the founder of Ghostly International, a music label and art company he founded in 1999 and known for experimental electronic artists like Matthew Dear, Tycho, and Galcher Lustwerk. On the occasion of Ghostly’s 25th anniversary, they just released We’ll Never Stop Living This Way: A Ghostly International Catalogue, a large coffee-table book celebrating the label’s artists, designers, and ethos. In this conversation, Jarrett and Sam talk about the relationship between music and design, the record label as a cultural brand, and the role of the curator in the age of the algorithm.
Thomas Weaver is an architectural writer, teacher, critic, and editor. He is a commissioning editor at Park Books where he cofounded and edits the Gumshoe series, and has teaching appoints at Princeton University and Accademia di architettura. He was previously the Senior Acquisitions Editor for Art and Architecture at MIT Press, and managing editor at the Architectural Association where he editied the school’s journal, AA Files, as well as their other publications and books. In this conversation, Jarrett and Thomas talk about the his experiments with form, pushing the limits of academic writing, and the role of the editor in architecture discourse.
