Sara De Bondt is a designer, educator, and publisher. She runs her own independent design practice working with cultural clients and is the co-founder of Occasional Papers, a small publishing company focusing on publishing affordable books devoted to the histories of architecture, art, design, film, and literature. The Walker Art Center called Sara “the epitome of a cultural designer, combining a love of contemporary typography with a deep investigation into the history of graphic design. Through her design practice, which consists of client-based work, designing and editing books, and curating conferences, she is consistently contributing to the critical discourse.” In this episode, Sara and I talk about her background from studying acting to working with Stuart Bailey, Daniel Eatock, and James Goggin; the importance of design history in contemporary practice; and what designers can learn from other disciplines.
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Hans Ulrich Obrist is a curator, critic, and art historian. He’s the artistic director of the Serpentine Galleries in London and the author of many books, including Ways of Curating, A Brief History of Curating, and Everything You Always Wanted To Know About Curating But Were Afraid to Ask. In this wide-ranging conversation, Jarrett and Hans talk about the role of conversation and interviews in his work, the evolution of the Serpentine Pavilion, and why it’s important that the art world is still his home base.
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Sarah Ichioka is an urbanist, strategist, curator, and writer. She’s the author, with Michael Pawlyn, of Flourish: Design Paradigms for our Planetary Emergency and the founder of Desire Lines, a cross-disciplinary studio that helps places, communities, and organizations chart paths toward thriving futures. In this conversation, Jarrett and Sarah talk about moving beyond sustainability towards regenerative practices, how thinking about the climate crisis as a cultural problem changes the role of designers, and why curiosity is a driving force in her work.
Matt Owens is co-founder and Chief Design and Innovation Officer at Athletics, a brand studio based in Brooklyn, and author of the book, A Visible Distance: Craft, Creativity, and the Business of Design. A graduate of Cranbrook’s Graphic Design Program, he previously worked as an art director for Methodfive, founded a small design studio, One9nine, and self-published the Flash-experimental design quarterly Volumeone. In this conversation, Jarrett and Matt talk about the gap between graphic design education and practice, the parallels between design today and design in the 1990s, and why Flash was a transformative piece of design software.
