Francisco Laranjo is a graphic designer based in Portugal and publisher of Modes of Criticism, a journal and research platform interested in critical graphic design. His writing has also been published on Design Observer, Eye, Creative Review, Grafik. In this episode, Francisco and I talk about Modes of Criticism and his goals for the project, parsing terms like critical and speculative graphic design, and how to use graphic design to critique politics, colonialization, and culture.
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Jack Self is an architect and writer based in London. He recently founded The Real Foundation, an architecture practice and curatorial institute. The Foundation’s flagship publication, The Real Review is a quarterly magazine about architecture, material culture, and what it means to live today. In this conversation, Jack and Jarrett talk about his career as both architect and writer, the goals and ideas behind The Real Review, and the types of discourses they’d like to see around architecture and design. This episode originally aired July 26, 2017.
Carl DiSalvo is an Associate Professor at the Georgia Institute of Technology where he holds dual appointments in the School of Interactive Computing and the School of Literature, Media, and Communication. His new book, Design as Democratic Inquiry is an exploration of ‘doing design otherwise’. In this conversation, Jarrett and Carl talk about the overlap of critical design and social design, what it means to design for democracy, and the role of writing in his work.
Liam Young is a speculative architect and director whose work spans design, fiction, and futures. He is cofounder of Tomorrows Thought Today, an urban futures think tank, and Unknown Fields, a nomadic research studio. He is also the director of the Masters in Fiction and Entertainment program at SCI Arc. His latest project is Planet City, a story of a fictional city for the entire population of earth. In this wide-ranging conversation, Jarrett and Liam talk about the elasticity of the term ‘architect’, the value of storytelling and fictions, and co-opting culture to find new audiences.