Rianne Petter and Mark Mulder are designers and researchers from the Netherlands. The couple operates independent practices that span graphic design, research, writing, and education. Last fall, the couple visited Baltimore to lead a weekend workshop on design research of Maryland Institute College of Art’s graduate graphic design department and I sat down with them at the end of the weekend to talk about their own practice, the role of research in the graphic design process, and the differences between the design discourse of the Netherlands and the United States.
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Tereza Ruller is an Amsterdam-based designer and educator. She is the co-founder of The Rodina, post-critical design studio with an experimental practice drenched in strategies of performance art, play, and subversion. She’s also the author of Action to Surface, a theory of performative design. In this conversation, Jarrett and Tereza talk about what performative design is and how designers can use it in their work, using design as a critical practice, and when the designer appears in the work.
Tobias Revell is a designer, artist, educator, and administrator. He is currently Program Director of Graphic Design at the London College of Communication, a founding director of the design research consultancy Strange Telemetry, and is working on a PhD in Design at Goldsmiths. In this conversation, Jarrett and Tobias talk about working between art and design, the intersection of creative practice and administration, and the evolution of speculative design practices.
Glenn Adamson is a curator and writer who works at the intersection of craft, design history, and contemporary art. He’s the author, most recently, of Craft: An American History. He previously was the director of the Museum of Arts and Design, head of research at the V&A, and curator at the Chipstone Foundation. In this conversation, Jarrett and Glenn talk about the understanding craft and its role in society, how he put together his new book, and how craft and design are different.