In the final episode of my June series on my professors, I talk to the co-director of MICA’s MFA graphic design program Ellen Lupton. In addition to her work at MICA, Ellen is the Senior Curator of Contemporary Design at Cooper Hewitt, and a prolific author of notable design books like Thinking with Type, Type on Screen, and Graphic Design: The New Basics. In our conversation, recorded a few days after graduation, I talk with Ellen about her own career as a designer, writer, curator, and educator, how she thinks about writing for emerging designers, and how the design discourse has changed over the course of her career.
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Tobias Revell is a designer, artist, educator, and administrator. He is currently Program Director of Graphic Design at the London College of Communication, a founding director of the design research consultancy Strange Telemetry, and is working on a PhD in Design at Goldsmiths. In this conversation, Jarrett and Tobias talk about working between art and design, the intersection of creative practice and administration, and the evolution of speculative design practices.
Glenn Adamson is a curator and writer who works at the intersection of craft, design history, and contemporary art. He’s the author, most recently, of Craft: An American History. He previously was the director of the Museum of Arts and Design, head of research at the V&A, and curator at the Chipstone Foundation. In this conversation, Jarrett and Glenn talk about the understanding craft and its role in society, how he put together his new book, and how craft and design are different.
Michael Kimmelman is the architecture critic at The New York Times. Prior to this role, he created the Abroad column while based in Berlin and was the chief art critic. He’s also the founder and editor-at-large of Headway, a new venture focused on global challenges and progress. In this conversation, Jarrett and Michael talk about how he transitioned from writing about art to architecture, the role of the critic at a place like The New York Times, and how architecture discourse has changed over the last decade.