Alexander Tochilovsky is a designer, curator, and educator. He’s currently the curator at the Herb Lubalin Study Center and an instructor at Cooper Union. He studied graphic design at Cooper Union and went to graduate school at Cranbrook. In this episode, Alexander and I talk about his background and how he got interested in design, the role of design history in his practice, and how we can do a better job of learning from and teaching history today.
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Alison Place is a designer, educator, and researcher whose work explores the intersection of design and feminist theory. She is the editor of Feminist Designer: On the Personal and the Political in Design and teaches graphic design in the School of Art at the University of Arkansas, where she serves as director of the graphic design program. In this conversation, Jarrett and Alison talk about what feminist design looks like, designers as trouble makers, and rethinking school critiques.
Michael Cina is a graphic designer, creative director, typographer, and artist. Since 2010, he’s run Cina Associates where he’s worked on projects for clients like Disney, Adobe, and Coca-Cola, as well as his long-running collaboration with Ghostly International. He previously co-founded YouWorkForThem, a designer-run online shop for typefaces, stock art, and other resources. In this conversation, Jarrett and Michael talk about the challenges and opportunities in working across mediums, how painting influenced his commercial design work, and how the internet shifted the state of design discourse.
Freek Lomme is a publisher, editor, curator, and writer. He is the founder of Set Margins’, a support structure, a platform for production, a network and publisher focused on impulses from the margins with a focus on communication, cooperation, and involved politics. Previously, Freek was the co-founder and director of Onomatopee, an art and design space and publisher in The Netherlands. In this conversation, Jarrett and Freek talk about the infrastructure of bookmaking, the role of the publisher, and the continued affection for print culture.