Sara De Bondt is a designer, educator, and publisher. She runs her own independent design practice working with cultural clients and is the co-founder of Occasional Papers, a small publishing company focusing on publishing affordable books devoted to the histories of architecture, art, design, film, and literature. The Walker Art Center called Sara “the epitome of a cultural designer, combining a love of contemporary typography with a deep investigation into the history of graphic design. Through her design practice, which consists of client-based work, designing and editing books, and curating conferences, she is consistently contributing to the critical discourse.” In this episode, Sara and I talk about her background from studying acting to working with Stuart Bailey, Daniel Eatock, and James Goggin; the importance of design history in contemporary practice; and what designers can learn from other disciplines.
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Tereza Ruller is an Amsterdam-based designer and educator. She is the co-founder of The Rodina, post-critical design studio with an experimental practice drenched in strategies of performance art, play, and subversion. She’s also the author of Action to Surface, a theory of performative design. In this conversation, Jarrett and Tereza talk about what performative design is and how designers can use it in their work, using design as a critical practice, and when the designer appears in the work.
Tobias Revell is a designer, artist, educator, and administrator. He is currently Program Director of Graphic Design at the London College of Communication, a founding director of the design research consultancy Strange Telemetry, and is working on a PhD in Design at Goldsmiths. In this conversation, Jarrett and Tobias talk about working between art and design, the intersection of creative practice and administration, and the evolution of speculative design practices.
Glenn Adamson is a curator and writer who works at the intersection of craft, design history, and contemporary art. He’s the author, most recently, of Craft: An American History. He previously was the director of the Museum of Arts and Design, head of research at the V&A, and curator at the Chipstone Foundation. In this conversation, Jarrett and Glenn talk about the understanding craft and its role in society, how he put together his new book, and how craft and design are different.