Rory Hyde is an architect, curator and writer based in London. His work is focuses on new forms of design practice, and redefining the role of the designer today. Currently, he’s Curator of Contemporary Architecture and Urbanism at the Victoria and Albert Museum and is the author of the book, Future Practice, a collection of interviews about the edge of architecture. In this wide-ranging conversation, Rory and I talk about his early career as an architect and interning at Volume magazine, the differences between practice and curation, and the types of design criticism he’s drawn to and wants to see more of.
Scratching the Surface is made possible entirely by listener support.
Support the show on Patreon!
Tobias Revell is a designer, artist, educator, and administrator. He is currently Program Director of Graphic Design at the London College of Communication, a founding director of the design research consultancy Strange Telemetry, and is working on a PhD in Design at Goldsmiths. In this conversation, Jarrett and Tobias talk about working between art and design, the intersection of creative practice and administration, and the evolution of speculative design practices.
Glenn Adamson is a curator and writer who works at the intersection of craft, design history, and contemporary art. He’s the author, most recently, of Craft: An American History. He previously was the director of the Museum of Arts and Design, head of research at the V&A, and curator at the Chipstone Foundation. In this conversation, Jarrett and Glenn talk about the understanding craft and its role in society, how he put together his new book, and how craft and design are different.
Michael Kimmelman is the architecture critic at The New York Times. Prior to this role, he created the Abroad column while based in Berlin and was the chief art critic. He’s also the founder and editor-at-large of Headway, a new venture focused on global challenges and progress. In this conversation, Jarrett and Michael talk about how he transitioned from writing about art to architecture, the role of the critic at a place like The New York Times, and how architecture discourse has changed over the last decade.