Mark Lamster is the architectural critic of the Dallas Morning News, a Loeb Fellow at the Harvard Graduate School of Design, and a professor in the architecture school at the University of Texas at Arlington. He’s the author of several books, and is currently finishing a biography of architect Philip Johnson. In this episode, Mark and I talk about how he started writing about architecture, how making books is like making architecture, what it’s like writing about architecture for a daily newspaper, and how technology is changing the role of the critic.
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Robert Wiesenberger is a curator and historian of modern and contemporary art, design, and architecture. He is currently the Associate Curator of Special Projects at The Clark Art Institute and on the faculty at Williams Graduate Program in Art History. He previously was a curatorial fellow at the Harvard Art Museum where he worked with the Bauhaus collection and co-authored, with David Reinfurt, the 2017 monograph on Muriel Cooper. In this episode, Jarrett and Robert talk about the role of the object in art history, blurring the lines between design and art practices, and teaching design history.
Jarrett Earnest is an artist and writer. His book, What It Means To Write About Art: Interviews with Art Critics, was released in 2018 and features longform interviews with art writers, historians, theorists, and critics. Jarrett’s writing has appeared in The Brooklyn Rail, The Village Voice, Vulture, and The Los Angeles Review of Books. In this episode, the Jarretts talk about the strange similarities in their work, the differences between writing about art and design, and the value in having deep conversations about art.
Spencer Bailey is a writer, editor, and journalist. He is the co-founder of the media company The Slowdown and the author of the book In Memory of: Designing Contemporary Memorials. He’s also editor-at-large for Phaidon, contributing editor at Town and Country and was previously the editor-in-chief at Surface. In this episode, Jarrett and Spencer talk about the design of memorials, how he started writing about design and architecture, and how design fits into The Slowdown’s mission.