Sara De Bondt is a designer, educator, and publisher. She runs her own independent design practice working with cultural clients and is the co-founder of Occasional Papers, a small publishing company focusing on publishing affordable books devoted to the histories of architecture, art, design, film, and literature. The Walker Art Center called Sara “the epitome of a cultural designer, combining a love of contemporary typography with a deep investigation into the history of graphic design. Through her design practice, which consists of client-based work, designing and editing books, and curating conferences, she is consistently contributing to the critical discourse.” In this episode, Sara and I talk about her background from studying acting to working with Stuart Bailey, Daniel Eatock, and James Goggin; the importance of design history in contemporary practice; and what designers can learn from other disciplines.
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Rathna Ramanathan is the Provost of Central Saint Martins and the Executive Dean, Global Affairs at the University of the Arts London. Over the last few years, Rathna has led a complete restructuring of CSM, creating a new model to think about art and design education. Trained as a graphic designer, her research focuses on publishing and intercultrual communication and she previously served as Dean of the School of Communication at the Royal College of Art. In this conversation, Jarrett and Rathna talk about the new CSM structure and how its “Schools of Thought” model flips our understanding of disciplinary study, the influence of graphic design on her work, and why art and design education needs to change to reflect this current moment.
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Giorgia Lupi is an information designer and partner at Pentagram. Her work synthesizes data and storytelling for clients such as Google, IBM, Gates Foundation, and the New York Times. She’s the author of Speak Data with Phillip Cox, and previously published Dear Data, Observe, Collect, Draw, and the picture book This is Me and Only Me. In this conversation, Jarrett and Giorgia talk about the evolution of how we talk about data, blending clarity and communication with artistic expression, and how the COVID-19 pandemic changed how she thought about data and her work.
Marco Ferrari is the co-founder of Studio Folder, an agency for visual design and spatial research based in Milan, and the head of the Information Design program at Design Academy Eindhoven. His work focuses on information design and data visualization, the politics of data collection, and visualizing borders and climate. In this conversation, Jarrett and Marco talk about Studio Folder’s setup that blends client work and original research, how his background in architecture informs his work, and why he’s not that interested in the design profession.
