Oliver Wainwright a writer and photographer based in London. He has been the architecture and design critic of the Guardian since 2012. He trained as an architect at the University of Cambridge and the Royal College of Art, and worked in strategic planning at the Architecture and Urbanism Unit of the Greater London Authority and at a number of architecture practices, including OMA in Rotterdam and Muf in London. In this conversation, Oliver and Jarrett talk about the relationship between writing and architecture, the tensions between practice and criticism, and what it means to write for a major newspaper.
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Carson Chan is an architecture writer, curator, and educator. He is the inaugural director of the Emilio Ambasz Institute for the Joint Study of the Built and Natural Environment at MoMA and a curator in the department of architecture and design. He previously co-founded the Current Collective for Architecture History and Environment and the Berlin-based project space PROGRAM. In this conversation, Jarrett and Carson talk about the ambition of the Ambasz Institute, the process of redefining architecture, and why aquariums are a lens to view the intersections of the natural and built worlds.
James Bridle is a writer, artist, and technologist. They are the author, most recently, of Ways of Being as well as New Dark Age. They've exhibited art in galleries and institutions around the world and have written for publications like Wired, The Atlantic, and the Guardian. In this wide-ranging conversation, Jarrett and James talk about the limited ways we talk about artificial intelligence, why human-centered design might just be corporation-centered design, and the value of working across mediums.
Iker Gil is an architect and director of MAS Studio, the editor-in-chief of MAS Context, and the Executive Director of the SOM Foundation. He was the co-curator of Exhibit Columbus 2020-2021 and associate curator of the US Pavilion at the 16th Venice Architecture Biennale in 2016. In this conversation, Jarrett and Iker talk about the relationship between architecture and editing, sustaining a publication, and the value of organizing and administration in creative work.