James Goggin is a designer, educator, and writer. He runs his own design studio with his partner, Shan James, under the name Practise and recently joined the faculty of RISD’s graphic design department. He previously worked as Director of Design, Publishing and New Media at the Museum of Contemporary Art Chicago and has taught at Werkplaats Typografie in Arnhem, The Netherlands, and at ECAL in Switzerland. His writing on design has appeared in numerous publications and he currently serves as art director and is on the editorial board of the architecture publication, Flat Out. In this episode, James and I talk about closing the gap between theory and practice, the value of writing in his design process, and subverting the traditional lecture/slideshow format.
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Sonja Stummerer and Martin Hablesreiter operate under the name Honey & Bunny. Their work moves between art, photography, performance, video, and writing to explore our relationship to food. With backgrounds in architecture, they are the authors of the books Food Design and Eat Design and the directors of the film Food Design: The Film. In this episode, Jarrett talks with Sonja and Martin about the origins of food design, what they learned from Hans Hollein, and why food is the most important design object.
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Otto von Busch is a designer and professor of Integrated Design at Parsons School of Design. He has a background in arts, craft, design, and theory and his work focuses on how making practices can mobilize community and social activism. His new book, The Design Comedy, repackages Dante’s to explore the broken promises of design, the problems in academia, and the role of design theory. In this conversation, Jarrett and Otto talk about the book and its analysis of the state of design, the value of making in design education, and the relationship between design practice and design theory.
Sam Valenti IV is the founder of Ghostly International, a music label and art company he founded in 1999 and known for experimental electronic artists like Matthew Dear, Tycho, and Galcher Lustwerk. On the occasion of Ghostly’s 25th anniversary, they just released We’ll Never Stop Living This Way: A Ghostly International Catalogue, a large coffee-table book celebrating the label’s artists, designers, and ethos. In this conversation, Jarrett and Sam talk about the relationship between music and design, the record label as a cultural brand, and the role of the curator in the age of the algorithm.
