Sara De Bondt is a designer, educator, and publisher. She runs her own independent design practice working with cultural clients and is the co-founder of Occasional Papers, a small publishing company focusing on publishing affordable books devoted to the histories of architecture, art, design, film, and literature. The Walker Art Center called Sara “the epitome of a cultural designer, combining a love of contemporary typography with a deep investigation into the history of graphic design. Through her design practice, which consists of client-based work, designing and editing books, and curating conferences, she is consistently contributing to the critical discourse.” In this episode, Sara and I talk about her background from studying acting to working with Stuart Bailey, Daniel Eatock, and James Goggin; the importance of design history in contemporary practice; and what designers can learn from other disciplines.
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Sonja Stummerer and Martin Hablesreiter operate under the name Honey & Bunny. Their work moves between art, photography, performance, video, and writing to explore our relationship to food. With backgrounds in architecture, they are the authors of the books Food Design and Eat Design and the directors of the film Food Design: The Film. In this episode, Jarrett talks with Sonja and Martin about the origins of food design, what they learned from Hans Hollein, and why food is the most important design object.
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Otto von Busch is a designer and professor of Integrated Design at Parsons School of Design. He has a background in arts, craft, design, and theory and his work focuses on how making practices can mobilize community and social activism. His new book, The Design Comedy, repackages Dante’s to explore the broken promises of design, the problems in academia, and the role of design theory. In this conversation, Jarrett and Otto talk about the book and its analysis of the state of design, the value of making in design education, and the relationship between design practice and design theory.
Sam Valenti IV is the founder of Ghostly International, a music label and art company he founded in 1999 and known for experimental electronic artists like Matthew Dear, Tycho, and Galcher Lustwerk. On the occasion of Ghostly’s 25th anniversary, they just released We’ll Never Stop Living This Way: A Ghostly International Catalogue, a large coffee-table book celebrating the label’s artists, designers, and ethos. In this conversation, Jarrett and Sam talk about the relationship between music and design, the record label as a cultural brand, and the role of the curator in the age of the algorithm.
